Tastes of Justice

October 2025 and February 2026
Francis Maravillas, Madeleine Collie, Marnie Badham and Stephen Loo

Published by Routledge

Hosted by Food Art Research Network

Tastes of Justice: The Aesthetics and Politics of Food-art Practices in Asia and Australia is a scholarly and artistic publication, edited by Francis Maravillas, Marnie Badham, Stephen Loo and Madeleine Collie that reveals the diversity of creative and cultural practices in contemporary food art and performances in and between Asia and Australia. It examines the ways in which these practices engender new frameworks for the sensuous, affective, social, and material dimensions of the alimentary in creative practice.

It interleaves scholarly chapters by artists, curators, theorists, and historians with artists’ perspectives in the form of visual essays, recipes, and case studies. In doing so, it offers conceptual framings in art and curatorial practice and critical understandings of lived experience, challenging the normative epistemologies that typically operate between aesthetics and politics in food art and performance.

The book critically engages with themes including enculturation, diaspora, museology, sustainability, activism, and socially engaged art; it reworks notions of collaboration, correspondence, and commensality in human and more-than-human relations. Tastes of Justice offers its readers unique techniques to attend to invisibilities, inequalities, relationalities, and justice, where the politics of food art is inseparable from its aesthetics – from the way it tastes.

Tasting Justice: Singapore

To activate the book we are hosting Tasting Justice a two day event of food, art and politics held at LASALLE College of the Arts. Together we will consider how artists across Asia and Australia use food in their creative practices to address social, political and ecological issues and to rethink the ways we grow, share, and value what and how we eat.

A workshop by Elia Nurvista entitled Reading Palm that examines the relationship between surplus labour and snacking and an evening of tastes, performances, and song exploring food, memory, cinematic histories and colonial entanglements. Nathalie Muchamad’s I wonder how it tastes like traces the journeys of breadfruit from plantation histories to today’s “superfood” mythologies; Keg de Souza’s Bananas: A Wild Story unpeels the cultural and ecological politics of this everyday fruit through performance and tasting; and the Critical Craft Collective invites audiences to join Rasa Sayang (For the love of food)—a participatory singalong celebrating food as a language of care, kinship, and shared heritage across the Nusantara archipelago.

This event has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body, and by the McNally School of Fine ArtsLASALLE College of the Arts Singapore, in collaboration with the CAST research group at RMIT UniversityArt & Design UNSW and the Food Art Research Network.